The Matcha River (2026) Venue Photos
Divine Intervention (2024)
Cyberiver (2021)
A treatment system (2019)
The Gecko (2018)
not video
Above the skin (2022)
@foodinsidemymouth (2021~)
CV
2024
Single-channel video
20’26’’
/
Divine Intervention is a narrative film that combines 3D animation and live-action footage to weave together religious ritual and digital technology into an allegory about anxiety, salvation, and the transfer of consciousness.
The film follows Marina, a young woman who seeks help from a spiritual medium to untangle her hair. She gradually realizes that what is knotted is not only her hair but also her own state of mind. The medium leads her to a mysterious place known as the "Soul Cabin." Before entering, Marina must complete a ritual: she must find a blue-haired person and consume the liquid contained within their head. As the ritual unfolds, she discovers that the Soul Cabin is not a place of healing, but a transitional space where consciousness is extracted, preserved, and transformed. In the end, her consciousness is uploaded into a vast digital network, blurring the boundary between the soul and data.
By placing religious ritual alongside digital technology, Divine Intervention reflects on the ways people seek spiritual refuge in times of anxiety. Through a visual language that moves between the physical and the virtual, the film considers what kind of relationship might emerge between humans and technology when consciousness itself can be preserved and replicated.
《神聖干預》是一部結合3D動畫與實拍影像的敘事作品，以宗教儀式與數位科技交織出一則關於焦慮、救贖與意識轉移的寓言。
故事圍繞著長髮女子 Marina 展開。為了解開糾結的頭髮，她尋求一位靈媒的協助，卻逐漸意識到纏結的不只是頭髮，而是自身難以擺脫的心理狀態。靈媒將她帶往一處名為「靈魂小屋」的神祕空間。在進入之前，她必須完成一場尋找一位藍髮者的儀式 ，並吞下其頭部中的液體。隨著儀式展開，Marina 發現靈魂小屋並非療癒之地，而是一個意識被抽離、保存並轉化的中介空間。最終，她的意識被上傳至龐大的數位網路之中，靈魂與資料的界線也隨之變得模糊。
作品將傳統宗教儀式與數位技術並置，藉由介於現實與虛擬之間的影像語彙，回應當代人在焦慮中尋求精神寄託的狀態，並思考當意識能夠被保存與複製時，人與科技之間將建立何種新的關係。