The Matcha River (2026) Venue Photos
Divine Intervention (2024)
Cyberiver (2021)
A treatment system (2019)
The Gecko (2018)
not video
Above the skin (2022)
@foodinsidemymouth (2021~)
CV
吳芸頡 Yun-Jieh Wu
g2b48t22@gmail.com
Wu Yun-Jieh (b. 1996, Tainan, Taiwan) draws inspiration from the anxieties of the digital age and the body's responses to them. Her work transforms subtle, often unspoken sensations into cinematic events, exploring how digital technologies and capitalist structures accelerate everyday life and reshape human experience. Since 2019, she has developed a narrative language that combines 3D animation with live-action footage, using contrasting visual textures to blur the boundaries between the physical and virtual worlds. Her practice also extends to installation and Instagram-native photography projects, continuing her exploration of how the digital environment influences perception and the body.
For Wu, artistic practice functions as a ritual for living with anxiety. Her recent work examines the online performance of fitness, wellness, and lifestyle culture, revealing the anxieties surrounding bodily control and self-management. In 2026, she presented her solo exhibition Matcha River at King Car Cultural & Art Center, using matcha as a symbol of its global popularity on social media to question the cultural forces behind its circulation and to reflect on how bodies are continuously shaped through symbolic consumption and algorithm-driven online environments. Her film Divine Intervention received the Jury's Special Mention at the 47th Golden Harvest Awards (2025). Her work has also been presented at the Ars Electronica Festival (Austria, 2023) and the Taipei Digital Art Center (2020), and received the Annual Special Prize at the Taoyuan Fine Arts Exhibition (2021).
Education
2026 MFA, New Media Art, Taipei National University of Arts (TNUA),Taipei, Taiwan
2019 BFA, Visual Communication Design, Dayeh University(DYU), Changhua, Taiwan
Exhibitions
2026 《The Matcha River》 Wu Yun Jieh solo exhibition, King Car Cultural & Art Center, Taipei, Taiwan
2024 Temporary Friends, Disposable Lovers; A Digital Séance, Massform, New Taipei City, Taiwan
2023 Ars Electronica Festival <Epicentrum> Campus Exhibitions, Kunstuniversität Linz SPLACE Gallery, Linz, Austria
2021 Taoyuan Fine Art Exhibition, Department of Cultural Affairs, Taoyuan, Taiwan
2021 TNUA Contemporary Art Prize, Taipei, Taiwan
2020 01_LOVE@DAC, Digital Art Center, Taipei, Taiwan
Screenings
2024 South Sound Experimental Film Festival 2024, Northwest Film Forum, Seattle, WA, United States
2024 New Taipei City Student Film Awards, Fu zhong 15 – Documentary Cinema, New Taipei City, Taiwan
Awards & Grants
2025 The 47th Golden Harvest Awards for Outstanding Short Films, Special Jury Award, Taiwan
2024 New Taipei City Student Film Awards, Honorable Mention, Taiwan
2023 National Culture and Arts Foundation, Audiovisual Media Arts Grant, Taiwan
2021 Taoyuan Fine Art Exhibition, Special Award, Taiwan
Collection
2021 Taoyuan Museum of Fine Arts, Taoyuan, Taiwan
吳芸頡（1996）生長於臺灣臺南。她從數位時代所帶來的焦慮，以及身體在其中的感知與反應汲取創作靈感，將日常中細微而難以言說的感受轉化為影像事件，探討數位科技與資本結構交織下，人類生活不斷加速所產生的焦慮經驗。自2019年起，她開始製作結合3D動畫與實拍影像的敘事語彙，透過不同影像質感交錯現實與虛擬世界，也延伸創作裝置作品與IG原生攝影計畫，持續回應數位環境對感知與身體的影響。
對她而言，創作如同一種排除焦慮的儀式。近年的創作聚焦於網路文化中關於運動、健康與生活風格的展演，進一步關注其中隱含的身體控制與自我管理焦慮。2026年，她於金車文藝中心舉辦個展《抹茶河》，透過抹茶作為全球社群媒體中的流行符號，探問其流行背後的文化機制，並思考身體如何在符號消費與演算法驅動的網路環境中被持續塑造。其錄像作品《神聖干預》獲第47屆金穗獎評審團特別獎（2025）；作品亦曾展出於奧地利林茲電子藝術節專場展演（2023）、臺北數位藝術中心（2020）等，並獲桃源美展年度特別獎（2021）。
2026 國立臺北藝術大學 新媒體藝術學系碩士班
2019 大葉大學視覺傳達設計學系
展覽
2026 《抹茶河》吳芸頡創作個展，金車文藝中心承德館，臺北，臺灣
2025 第七屆錯誤雙年展《Margins in Fluxus》，kamîm tuhut展亭，線上
2024 《暫友，逝愛 : 數位降靈》，齊物創製工作室，新北，臺灣2023 林茲電子藝術節 《震源 Epicentrum》，林茲藝術大學 SPLACE Gallery，林茲，奧地利
2021 桃源美展，桃園市政府文化局，桃園，臺灣
2021 北藝當代創作獎，北藝地下美術館，臺北，臺灣
2020 《01_LOVE愛情數據@DAC》，臺北數位藝術中心，臺北，臺灣
放映
2025 第四屆武漢柏林電影週，NewBeacon Film Art Park (DIC)，武漢，中國
2025 第47屆金穗獎，巡迴放映，臺灣
2024 South Sound 實驗電影節 2024，西北電影論壇，西雅圖，美國
2024 新星影展，府中15紀錄片放映院，新北，臺灣
典藏
2021 桃園市立美術館，桃園，臺灣
g2b48t22@gmail.com
Wu Yun-Jieh (b. 1996, Tainan, Taiwan) draws inspiration from the anxieties of the digital age and the body's responses to them. Her work transforms subtle, often unspoken sensations into cinematic events, exploring how digital technologies and capitalist structures accelerate everyday life and reshape human experience. Since 2019, she has developed a narrative language that combines 3D animation with live-action footage, using contrasting visual textures to blur the boundaries between the physical and virtual worlds. Her practice also extends to installation and Instagram-native photography projects, continuing her exploration of how the digital environment influences perception and the body.
For Wu, artistic practice functions as a ritual for living with anxiety. Her recent work examines the online performance of fitness, wellness, and lifestyle culture, revealing the anxieties surrounding bodily control and self-management. In 2026, she presented her solo exhibition Matcha River at King Car Cultural & Art Center, using matcha as a symbol of its global popularity on social media to question the cultural forces behind its circulation and to reflect on how bodies are continuously shaped through symbolic consumption and algorithm-driven online environments. Her film Divine Intervention received the Jury's Special Mention at the 47th Golden Harvest Awards (2025). Her work has also been presented at the Ars Electronica Festival (Austria, 2023) and the Taipei Digital Art Center (2020), and received the Annual Special Prize at the Taoyuan Fine Arts Exhibition (2021).
Education
2026 MFA, New Media Art, Taipei National University of Arts (TNUA),Taipei, Taiwan
2019 BFA, Visual Communication Design, Dayeh University(DYU), Changhua, Taiwan
Exhibitions
2026 《The Matcha River》 Wu Yun Jieh solo exhibition, King Car Cultural & Art Center, Taipei, Taiwan
2025 The Wrong Biennale 7《Margins in Fluxus》, kamîm tuhut pavilion, Online
2023 Ars Electronica Festival <Epicentrum> Campus Exhibitions, Kunstuniversität Linz SPLACE Gallery, Linz, Austria
2021 Taoyuan Fine Art Exhibition, Department of Cultural Affairs, Taoyuan, Taiwan
2021 TNUA Contemporary Art Prize, Taipei, Taiwan
2020 01_LOVE@DAC, Digital Art Center, Taipei, Taiwan
Screenings
2025 The 4th Wuhan bǎilin Film Festival, NewBeacon Film Art Park (DIC), Wuhan, China
2025 The 47th Golden Harvest Awards for Outstanding Short Films, Screening Tour in Taiwan
2024 New Taipei City Student Film Awards, Fu zhong 15 – Documentary Cinema, New Taipei City, Taiwan
Awards & Grants
2025 The 47th Golden Harvest Awards for Outstanding Short Films, Special Jury Award, Taiwan
2024 New Taipei City Student Film Awards, Honorable Mention, Taiwan
2023 National Culture and Arts Foundation, Audiovisual Media Arts Grant, Taiwan
2021 Taoyuan Fine Art Exhibition, Special Award, Taiwan
Collection
2021 Taoyuan Museum of Fine Arts, Taoyuan, Taiwan
吳芸頡（1996）生長於臺灣臺南。她從數位時代所帶來的焦慮，以及身體在其中的感知與反應汲取創作靈感，將日常中細微而難以言說的感受轉化為影像事件，探討數位科技與資本結構交織下，人類生活不斷加速所產生的焦慮經驗。自2019年起，她開始製作結合3D動畫與實拍影像的敘事語彙，透過不同影像質感交錯現實與虛擬世界，也延伸創作裝置作品與IG原生攝影計畫，持續回應數位環境對感知與身體的影響。
對她而言，創作如同一種排除焦慮的儀式。近年的創作聚焦於網路文化中關於運動、健康與生活風格的展演，進一步關注其中隱含的身體控制與自我管理焦慮。2026年，她於金車文藝中心舉辦個展《抹茶河》，透過抹茶作為全球社群媒體中的流行符號，探問其流行背後的文化機制，並思考身體如何在符號消費與演算法驅動的網路環境中被持續塑造。其錄像作品《神聖干預》獲第47屆金穗獎評審團特別獎（2025）；作品亦曾展出於奧地利林茲電子藝術節專場展演（2023）、臺北數位藝術中心（2020）等，並獲桃源美展年度特別獎（2021）。
2026 國立臺北藝術大學 新媒體藝術學系碩士班
2019 大葉大學視覺傳達設計學系
展覽
2026 《抹茶河》吳芸頡創作個展，金車文藝中心承德館，臺北，臺灣
2025 第七屆錯誤雙年展《Margins in Fluxus》，kamîm tuhut展亭，線上
2024 《暫友，逝愛 : 數位降靈》，齊物創製工作室，新北，臺灣2023 林茲電子藝術節 《震源 Epicentrum》，林茲藝術大學 SPLACE Gallery，林茲，奧地利
2021 桃源美展，桃園市政府文化局，桃園，臺灣
2021 北藝當代創作獎，北藝地下美術館，臺北，臺灣
2020 《01_LOVE愛情數據@DAC》，臺北數位藝術中心，臺北，臺灣
放映
2025 第四屆武漢柏林電影週，NewBeacon Film Art Park (DIC)，武漢，中國
2025 第47屆金穗獎，巡迴放映，臺灣
2024 South Sound 實驗電影節 2024，西北電影論壇，西雅圖，美國
2024 新星影展，府中15紀錄片放映院，新北，臺灣
獎助
2025 第47屆金穗獎，評審團特別獎
2024 新北學生影像新星獎，優選
2023 國家文化藝術基金會，視聽媒體藝術類補助
2021 桃源美展，年度特別獎
2025 第47屆金穗獎，評審團特別獎
2024 新北學生影像新星獎，優選
2023 國家文化藝術基金會，視聽媒體藝術類補助
2021 桃源美展，年度特別獎
典藏
2021 桃園市立美術館，桃園，臺灣